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Filters

• High-pass (20–500 Hz) — removes low-frequency rumble: room hum, wind noise, handling sounds. Set to 80–100 Hz for voice, keep at 20 Hz for music.
• Low-pass (2k–20k Hz) — removes harsh high frequencies and hiss. Set to 12–14 kHz for speech, keep at 20 kHz for music to preserve full spectrum.

Equalizer — 6 Bands

• Bass (100 Hz) — controls low-end body and fullness. Boost for thin recordings, cut to reduce boominess or room resonance.
• Warmth (250 Hz) — adds richness and body to voice. Boost for thin or cold-sounding recordings, cut if the sound is muddy or boxy.
• Mid (1 kHz) — main vocal frequency range. Boost to bring voice forward, cut to push it back and create space.
• Presence (3 kHz) — articulation and definition. Boost to make speech more intelligible, cut to soften harsh or aggressive recordings.
• Clarity (5 kHz) — brightness and consonant detail. Boost for dull recordings, cut to tame sibilance or brittle sound.
• Air (10 kHz) — sparkle and openness. Boost to add "air" and shimmer, cut if the recording sounds too bright or noisy.

Dynamics

• Threshold (0 to −60 dB) — sets the level above which the compressor activates. Lower values mean more of the signal gets compressed.
• Ratio (1:1 to 20:1) — how much to reduce signal above the threshold. 2–4:1 for gentle leveling, 8–20:1 for heavy compression.
• Attack (0.1–100 ms) — how fast the compressor reacts when signal exceeds the threshold. Short attack (1–10 ms) catches transients, long attack (20–100 ms) lets them through.
• Release (10–1000 ms) — how fast the compressor stops reducing after signal drops below threshold. Short release (50–100 ms) for speech, long (200–500 ms) for music.
• Knee (0–40 dB) — transition smoothness around the threshold. 0 dB = hard knee (abrupt), 20–40 dB = soft knee (gradual, more natural).
• Noise gate (−80 to −20 dB) — silences audio below the set level, removing quiet background noise between speech. Applied on export.
• De-esser (0–12 dB) — reduces sibilance (harsh "s", "sh", "ts" sounds). Applies a narrow cut around 6.5 kHz. Start with 3–6 dB.

Noise Reduction

Reduces continuous background noise (hiss, hum, fan, AC). Light: subtle cleanup. Medium: noticeable improvement. Strong: maximum noise removal (may slightly affect tone). Changes are heard instantly during playback.

Output

• Gain (−12 to +12 dB) — final volume adjustment before export. Use to compensate for any volume changes from other settings.